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Early 1940's—Ladies' Garment Cutting and Making
by F. R. Morris

Table of Contents—Long

Preface to the Third Edition

Preface to the Second Edition

Foreword

Chapter I—Basis of the System for Coat Construction

Constructional basis for the location of the system points
The divisional system
The back depth or depth of scye
The working scale
The back neck width
The front depth
The front neck point
The front of the scye
Shoulder size and capacity
Summary of the constructional points

Chapter II—The Art of Measuring and Scales of Proportionate Measurements

Abbreviations
The measures
Direct check measures
Scale of proportionate measurements and working tables

Chapter III—Construction of Patterns for Short Coats

The basic draft
Panel back basis draft
Sidebody coat basis draft
Basis for single-seam coat
Variation from the normal for erect and stooping figures
The stooping figure
The erect figure
Basis of provision for bust development
Location of hip size and waist increment
The shoulder dart and provision for bust contour
The underarm dart
Basis for sideseam coat
Basis for lounge coat

Chapter IV—The Principles of Waist Suppression

The correct location of waist suppression
Effect of incorrect suppression
Suppression at the front waist
Fitting the figure contours
Analysis of waist suppression
The Correct Location of Waist Suppression

Chapter V—Sleeve Cutting

Basic system for sleeves
Two-piece sleeve basis draft
Separate draft of the two-piece sleeve basis system
Basic draft for one-piece sleeves
Outline of the one-piece sleeve
One-piece sleeve without a wrist dart
Manipulation of the draft to produce a wider sleeve at the elbow
Seam displacement in a two-piece sleeve

Chapter VI—The Construction of Patterns for "Classical" Short Jackets

Single-breasted link-fronted jacket
Single-breasted cut-away jacket
Single-breasted sidebody jacket
Single-breasted link-button jacket
Double-breasted panel jacket
Single-breasted panel jacket
Sports jacket
Another link-fronted jacket
Single-breasted jacket with hip basque
Basque manipulation
Riding jacket
Panelled riding jacket draft

Chapter VII—The Construction of Patterns for Long Coats

Double-breasted panel long coat
Double-breasted sidebody wrap coat
Double-breasted chesterfield
Single-breasted panel coat
Lancer-front coat
Double-breasted travelling coat
A collarless coat
Manipulation of the pattern to produce waist suppression
Double-breasted travelling coat with pleated back

Chapter VIII—The Construction of Patterns for Raglans

Variation of the shoulder seam position
The raglan seam positions
The shoulder sections
Preliminary sleeve construction
Raglan sleeve standard basis
Single-breasted raglan
Provision for increase of width in the skirt
Raglan sleeve with dart shoulder
Double-breasted ulster coat
Two-piece sleeve basis draft
One-piece sleeve basis draft
A close-fitting raglan coat
The deep-scye raglan sleeve
Alteration of the scye for a deep-scye raglan
Two-piece raglan sleeve construction
Comparison between sleeve depths in relation to the scye depth
Single-breasted deep-scye raglan
Deep-scye one-piece raglan sleeve
A loose-fitting raglan
Construction of a raglan sleeve to eliminate the shoulder seam construction
Preliminary sleeve construction
Second stage in sleeve construction
Third stage in sleeve construction
Two-piece sleeve with a whole shoulder
One-piece sleeve with a whole shoulder
Constructional basis for split-sleeve designs
Double-breasted close-fitting coat with split-sleeves
The split-sleeve
Loose-fitting coat draft showing normal and deep-scye effects
Two-piece split-sleeves for normal and deep scyes
The drop-shoulder line designs
Loose-fitting coat with a drop-shoulder effect
Varying the shoulder line
Addition of seams to the shoulders and sleeves
Supplementary examples of drop-shoulder design

Chapter IX—Skirt Cutting

Preliminary to the basic principles of skirt construction/dd>
The extent of the curvature of the balance lines
The system basis for skirts
Application of the system basis in practice
A narrow-width skirt
Standard-width skirt draft
Panel skirt draft
Six-gored skirt with flared panel seams
Wrap skirt draft
The corslet skirt
Skirt draft with a hip yoke
Another example of hip-yoke construction
The trouser-skirt
The addition of pleats
Panel-front skirt with inverted pleats
Cutting pleats from the material
The shorts-skirt
Provision for pleats

Chapter X—Dress Cutting

Factors influencing fashion tendencies
Bias cutting
Manipulation of the outline pattern
The dress system
Basic construction of the dress system
Continuation of the dress system construction
Manipulation of the pattern for waist suppression
Drafting dress patterns in two parts
The skirt
Reducing the waist measure to size
Two-piece skirt basis system
Flared skirts and flare effects
Second example of flare cutting
A simple dress design
Application of the waist suppression
A dress design without a sideseam from hip level to hem line
Reconstruction of the outline pattern
A panelled dress design
A dress with draped bodice and skirt
Manipulation of the bodice pattern
Manipulation of the skirt pattern
The low cowl neck line
The high cowl neck line
The inset cowl neck line
Dress with a cowl front
Reconstruction of the pattern

Chapter XI—Sleeves for Dresses

Basic draft
One-piece sleeve basis draft
Two-piece sleeve basis draft
One-piece sleeve
The raglan sleeve
The raglan sleeve draft
The drop-shoulder line
The drop-shoulder line sleeve construction
Intricate sleeve designs
A raglan sleeve dress
Manipulation of the sleeve pattern for the wrist fullness
Manipulation of the bodice for fullness
Dress with a darted shoulder line
Dress with a drop-shoulder line
Dress with a sloping shoulder line
Manipulation of the front and back bodice patterns
The reconstruction of the sleeve for the drop shoulder
The leg-of-mutton sleeve
The pouched-hindarm sleeve
Sleeve with vertical fullness
The double pouched sleeve
The "cowl" or draped sleeve

Chapter XII—Evening Gowns

Elimination of the shoulder dart
Reconstruction draft of the shoulder section
Standard evening dress basis system
A dinner dress design
Manipulation of the back and bodice patterns
Evening dress with flared shoulder flounces
The shoulder flounce
Evening dress with a "cowl" neck line
Manipulation of the skirt section
Evening dress with sleeves
Sleeve manipulation
Dress with a shoulder cape, showing treatment of uneven skirt design
Manipulation of the skirt pattern for waist suppression
Manipulation of the bodice and shaping of the shoulder capelet

Chapter XIII—Collar Construction for All Coats

The step collar, giving the basic principles of collar construction
The Double-breasted collar
The Double-breasted ulster or storm collar
Ulster collar by direct measurement of the length of fall required
The roll or shawl collar
Ulster stand collar
The circular collar
Circular stand collar
The plain stand collar
The straight stand collar
The Prussian collar
Fur collar shapes
Ruck collar shape
Roll collar shape
The new bolster roll collar
Fancy roll collar
Large boat collar
Stand fur collar

Chapter XIV—Blouses, Waistcoats, Magyars and Capes

Blouses: Basic draft for loose-fitting blouses
Basic draft for close-fitting blouses
Blouse with a yoke front and back
Shirt blouse with raised shoulder seams
Waistcoats: Double-breasted blouse waistcoat
Single-breasted waistcoat draft
Bolero coatee draft
Magyars: The magyar problem and its relation to blouse design
The magyar basis for blouses and other garments
Continuation of the magyar basis draft
Magyar draft in one-piece form
Magyar blouse basis draft with a seam from shoulder to sideseam
Magyar dress with an inset sleeve
Sleeve manipulation
Magyar dress with the sleeves and the bodice cut whole
Manipulation of the waist suppression and sleeve outline
A magyar coat design
Manipulation for suppression
Draft of a short-sleeve magyar dress
Cape cutting by block patterns: The half-circular cape
Cape set in panel seams

Chapter XV—Trousers, Shorts, Plus-Fours, Ski-ing Trousers, and Riding Breeches

Trousers cutting: Preliminary trousers-cutting system
Trousers with pleated tops
Shorts cutting: Shorts basis system
Shorts with pleats at back and front
Allowing for the pleats
The undersides pleat allowances
One-piece shorts dress
Allowance for pleats
Plus-fours or golfing knickers
Ski-ing trousers
Riding breeches: Explanation of the gore overlap
Jodhpur riding breeches
Analysis of the gore and variation of sideseam placement
The split-fall bearer

Chapter XVI—Dressing-Gowns and Lingerie—Bias Cutting

Dressing-gowns: Dressing-gown draft
Lingerie: Draft of an underslip
Manipulation of the outline pattern for waist suppression
Panelled underslip
Draft of cami-knickers
Draft of cami-knickers with a brassiere top
Knickers fitted at the waist
Pyjamas
Lingerie cut on the bias: Bias-cut cami-knickers
Cutting on the bias
Draft of a foundation for a nightgown or an underslip

Chapter XVII—Pattern Grading and Designing by Block Patterns

Types of block patterns
Cutting and grading block patterns
Plain coat block patterns
The grade of the foreparts
The sidebody jacket grade
The grade of a panel jacket
The side panel grade
The side front panel grade
The grade of the front panel
The grade of the two-piece sleeve
The grade of the under-sleeve
The grade of the one-piece sleeve
Style-reading by the use of block patterns
The interpretation of designs

Chapter XVIII—Inlay Provision—Economical Layouts and Cutting from the Material

Inlay provision for coats, skirts, raglans, trousers, shorts, plus-fours, ski-ing trousers, breeches and jodhpurs
Economical layouts for costumes, coats, raglans, trousers, plus-fours, breeches, jodhpurs, shorts and skirts

Chapter XIX—Practical Tailoring

Cutting the linings
The cutting of the forepart lining and the facing
Marking up
The canvas
Inserting the pockets
Welt pockets
Inserting the welt pocket
Making the back part and sewing the panel seams
Making the linings for back and foreparts
The back and foreparts ready for joining together
Padding the lapels, etc.
Putting on the facing
Turning out the foreparts
Inside basting of the foreparts
Joining the back to the foreparts
Collar cutting and making
Making the sleeves
Inserting the sleeve into the scye
Making a machine or bagged coat
The cut-out garment
Cutting out the linings
Cutting the canvas
Cutting the top and under-collars
Making the pockets and foreparts
Making the under-collar
Making the linings
Lining the coat
Making the sleeves
Machine collars for Double-breasted lapels

Chapter XX—The Making of Skirts, Trousers, Breeches, and Shorts

Skirt making: Box and inverted pleats
The inverted-pleat skirt
Making the plaquet opening
Sewing the waistband to the tops
The bottom edge finish
Making trousers: Joining the waistband to the tops
Joining the back waistband
Sewing the sideseams
The bottom finish
Breeches making: The breeches marked up for making
Making the pockets
Completing the pockets and adding the waistband
The back waistband and making up the knees
Sewing the sideseams together
Completion of the breeches
Shorts making: Making pleats in shorts

Chapter XXI—Various Stitches in Tailoring and Dressmaking

The sprat's head stitch
The crow's foot tack
The bar-tack
Cross-stitching a hem
Pad-stitching lapels
Making a French seam
The lapped seam
Bound button-holes
Bias bindings
The button-hole stitch

Chapter XXII—The Art of Modelling

Modelling patterns in toile
Making a model without panel suppression
The modelled "lounge" outline
Modelled outline of a sidebody jacket

Chapter XXIII—Bias-Cutting for Dressmakers and Model Cutters

Chapter XXIV—Pattern Construction for the Wholesale Trade

Outline of constructional points for jacket patterns
Sidebody jacket draft
Block front jacket style
Draft of a sports jacket
Forearm pattern manipulation
Construction of the canvas pattern
The sleeve system
Block patterns for the wholesale trade
Skirt basis draft
Manipulation of the skirt block pattern
All-round knife-pleated skirt
Grading for the wholesale trade
Grade of a jacket back
The grade of the forepart
The sleeve grade
A child's coat

Appendix

Illustrations

  1. A Figure Measured, on the Basis of the Eight-heads Theory
  2. Depth and Width Factors Applied to a Draft Basis
  3. Problems of Back Neck Width
  4. Location of the Front Neck Point and Front of Scye
  5. Taking the Measurements
  6. Taking Direct Measurements
  7. The Basic Draft
  8. Panelled Coat Basis Draft
  9. Sidebody Coat Basis Draft
  10. Single-seam Basis Draft
  11. Variation from the Normal for Erect and Stooping Figures
  12. Basic Draft for Provision for Full Development of Bust
  13. (a). Location of the Hip Size and Waist Increment
    (b). Location of the Hip Size and Waist Increment
  14. The Shoulder Dart and Bust Contour Provision
  15. The Underarm Dart
  16. (a). Basis for Lounge Coat
    (b). Basis for Lounge Coat
  17. Sectional Views of the Figure Illustrating Waist Suppression
  18. Draft Illustrating Incorrect Waist Suppression
  19. The Effect of Extreme Waist Suppression
  20. Further Illustration of Incorrect Waist Suppression
  21. Fitting the Figure Contours
  22. The Effect at the Sideseam
  23. Remodelling the Back Pattern
  24. Reconstruction of the Pattern
  25. Analysis of Waist Suppression Principles
  26. Basic System for Two-piece Sleeve Cutting
  27. Two-piece Sleeve Basis Drafted Away from the Scye
  28. Basic Draft for One-piece Sleeves
  29. Outline of the One-piece Sleeve
  30. One-piece Sleeve without Wrist Dart
  31. Manipulation to Produce a Wider Sleeve at the Elbow
  32. Seam Displacement in a Two-piece Sleeve
  33. Single-breasted Link-fronted Jacket
  34. Single-breasted Cut-away Jacket
  35. Single-breasted Sidebody Jacket
  36. Single-breasted Link-button Jacket
  37. Double-breasted Panel Jacket
  38. Single-breasted Panel Jacket
  39. Sports Jacket
  40. Another Link-fronted Jacket
  41. Single-Breasted Jacket with Hip Basque
  42. Manipulation of the Basque for Increased Skirt Width
  43. Draft for Riding Jacket
  44. Panelled Riding Jacket
  45. Double-breasted Panel Long Coat
  46. Double-Breasted Wrap Coat with Sidebody
  47. Double-Breasted Chesterfield
  48. Single-Breasted Panel Coat
  49. Lancer-front Coat
  50. Double-Breasted Travelling Coat
  51. Collarless Coat
  52. Manipulation for Waist Suppression
  53. Double-Breasted Travelling Coat with Pleated Back
  54. Raglan Construction Basis Draft
  55. The Raglan Seam Positions
  56. The Shoulder Sections
  57. (a). Preliminary Sleeve Construction
    (b). Raglan Sleeve Standard Basis
  58. Single Breasted Raglan Draft
  59. Provision for Increase of Width in the Skirt
  60. Raglan Sleeve Draft with Dart Shoulder
  61. Double-Breasted Ulster Coat Draft
  62. Two-piece Sleeve Basis Draft
  63. One-piece Sleeve Basis Draft
  64. Close-fitting Raglan Coat
  65. Alteration of the Scye for Deep-scye Raglans
  66. Two-piece Raglan Sleeve Basis Draft
  67. A Comparison of Sleeve Depths in Relation to the Scye
  68. Single-Breasted Deep-scye Raglan Draft
  69. Deep-scye Raglan One-piece Sleeve Draft
  70. Loose-fitting Raglan with a Yoke Shoulder
  71. Sleeve Draft for Fig. 70
  72. Raglan Sleeve without Shoulder Dart
  73. Elimination of the Shoulder Dart, Second Stage
  74. Elimination of the Shoulder Dart, Third Stage
  75. Two-piece Sleeve without Shoulder Dart
  76. One-piece Sleeve without Shoulder Dart
  77. Double-Breasted Split-sleeve Chesterfield
  78. Split-sleeve Basis Draft
  79. Loose-fitting Coat Draft showing Normal and Deep-scye Effects
  80. (a). Two-piece Sleeve Draft for a Normal Scye
    (b). Sleeve Drafted in Conjunction with the Deepening of the Scye
  81. Loose-fitting Coat with Drop-shoulder Line
  82. Varying the Shoulder Line
  83. Addition of Seams to the Shoulders and Sleeves
  84. Supplementary Examples of the Drop-shoulder Line
  85. Adapting the Shoulder Sections to the Sleeve
  86. Adapting the Shoulder Sections to the Sleeve
  87. Preliminary to the Basic Principles of Skirt Construction
  88. Curvature of the Balance Lines
  89. The Skirt System Basis
  90. The Skirt System in Practice
  91. Narrow-width Skirt
  92. Standard-width Skirt
  93. Panel Skirt Draft
  94. Six-gored Skirt
  95. Wrap Skirt
  96. Corslet Skirt
  97. Skirt and Hip Yoke
  98. Second Example of Hip-yoke Construction
  99. Trouser-skirt Draft
  100. Adding Pleats to the Trouser-skirt
  101. Panel Skirt with Inverted Pleats
  102. Cutting Pleats from the Material
  103. Shorts-skirt Draft
  104. Adding Pleats to the Shorts-skirt
  105. Basic Construction of the Dress System
  106. Continuation of the Dress Basis System
  107. Waist Suppression Manipulation
  108. Basic Draft of Two-piece Dress System
  109. Reducing the Waist to Measure
  110. Two-piece Skirt Basis
  111. Flared Skirt
  112. Second Example of Flare Cutting
  113. A Simple Dress Draft
  114. Application of the Waist Suppression
  115. Dress without a Sideseam from Hip Level to Hem Line
  116. Reconstruction of the Outline Pattern
  117. A Panelled Dress Design
  118. Dress with Draped Bodice and Skirt
  119. Manipulation of the Pattern
  120. Low Cowl Neck Line
  121. High Cowl Neck Line
  122. Inset Cowl Neck Line
  123. Dress with a Cowl Neck Line
  124. Reconstruction of the Pattern
  125. (a). Basic Sleeve Draft
    (b). One-piece Sleeve Basis Draft
  126. Sleeve Drafts
  127. Raglan Basis Sleeve Draft
  128. Raglan Sleeve Draft
  129. Drop-shoulder Line
  130. Drop-shoulder Line Sleeve Construction
  131. Raglan Sleeve Dress Draft
  132. Raglan Sleeve Draft
  133. Sleeve Manipulation
  134. Manipulation of the Bodice for Fullness
  135. Dress with Darted Shoulder Line
  136. Sleeve Draft
  137. Sleeve Manipulation
  138. Manipulation of the Bodice Pattern
  139. Dress with a Drop-shoulder Line and Puff Sleeves
  140. The Sleeve Draft
  141. Dress with a Sloping Shoulder Line
  142. The Sleeve
  143. Manipulation of the Front and Back Bodice Patterns
  144. Reconstruction of the Sleeve for the Drop Shoulder
  145. Leg-of-Mutton Sleeve
  146. Pouched-hindarm Sleeve
  147. Sleeve with Vertical Fullness
  148. Double Pouched Sleeve
  149. The "Cowl" or Draped Sleeve
  150. Elimination of the Shoulder Dart
  151. Reconstruction Draft of the Shoulder
  152. Standard Basis for Evening Dress
  153. A Dinner Dress Design
  154. Manipulation of the Back and Bodice
  155. Evening Dress with Flared Shoulder Flounces
  156. The Shoulder Flounce
  157. Evening Dress with a "Cowl" Neck Line
  158. Manipulation of the Skirt Section
  159. Evening Dress with Sleeves
  160. The Sleeve Draft
  161. Treatment of Uneven Skirt Design
  162. Manipulation of the Skirt Pattern
  163. Bodice Manipulation and the Shoulder Capelet
  164. Step-collar Construction
  165. Double-Breasted Collar Construction
  166. Double-Breasted Ulster or Storm Collar Construction
  167. Double-Breasted Ulster or Storm Collar Construction
  168. Roll or Shawl Collar Construction
  169. Ulster Stand Collar
  170. Circular Collar Construction
  171. Circular Stand Collar Construction
  172. (a). Plain Stand Collar Construction
    (b). Straight Stand Collar Construction
    (c). Prussian Collar Construction
  173. Ruck Collar Shape
  174. Roll Collar Shape
  175. Bolster Collar Shape
  176. Fancy Roll Collar
  177. Large Boat Collar
  178. Stand Fur Collar
  179. Basic Draft for Loose-fitting Blouses
  180. Basic Draft for Close-fitting Blouses
  181. Blouse with a Yoke Front and Back
  182. Blouse with Raised Shoulder Seams
  183. Double-Breasted Blouse Waistcoat
  184. Single-Breasted Waistcoat Draft
  185. Bolero Coatee Draft
  186. Magyar Basis Draft
  187. Continuation of the Magyar Basis Draft
  188. Magyar Draft in One-piece Form
  189. Magyar Blouse Basis Draft with Shoulder Seam
  190. Magyar Dress with Inset Sleeves
  191. The Sleeve Manipulation
  192. Magyar Dress with Sleeves and Bodice Cut Whole
  193. Manipulation of the Sleeve and Waist Suppression
  194. Magyar Coat Design
  195. A Short-sleeve Magyar Dress
  196. Half-circular Cape
  197. Cape Set in Panel Seams
  198. Basis of the Trousers System
  199. Trousers Cutting Preliminary System
  200. The Undersides
  201. Pleated Trousers
  202. Basic System for Shorts
  203. Shorts with Pleats at Back and Front
  204. Pleat Allowances
  205. Pleat Allowances on the Undersides
  206. One-piece Shorts Dress
  207. Pleat Allowances at Back and Front
  208. Plus-fours
  209. Ski-ing Trousers
  210. Riding Breeches
  211. Explanation of the Gore Overlap
  212. Jodhpur Riding Breeches
  213. Analysis of the Gore and Variation of the Sideseam Overlap
  214. Split-fall Fittings
  215. Dressing-gown Draft
  216. Underslip Draft
  217. Panelled Underslip
  218. Draft of Cami-knickers
  219. Draft of Cami-knickers with a Brassiere Top
  220. Knickers Draft
  221. Pyjamas Drafts
  222. Bias-cut Cami-knickers
  223. Bias Cutting
  224. Foundation for a Nightgown or an Underslip
  225. Another Example of Cutting on the Bias
  226. The Back Grade
  227. Forepart Grade
  228. Sidebody Jacket Grade
  229. Panel Jacket Grade, the Back and Side Panels
  230. The Front Grade of the Panelled Coat
  231. Two-piece Sleeve Grade
  232. One-piece Sleeve Grade
  233. A Travel Coat
  234. An Ulster Travel Coat
  235. A Long Coat with a Pleated Back and a Panel Front
  236. A Coat Designed on "Sporty" Lines with a Plain Back and Forepart
  237. A Sports Jacket
  238. Inlays for a Lounge Jacket
  239. Sleeve Inlays
  240. Sidebody Jacket Inlays
  241. Panel Jacket Inlays
  242. Skirt Inlays
  243. Gored Skirt Inlays
  244. Inlay Allowances for Raglans
  245. Three-piece and One-piece Sleeve Inlay Allowances
  246. Inlay Provision for Trousers
  247. Inlay Provision for Shorts
  248. Inlays for Plus-fours and Ski-ing Trousers
  249. Inlays for Breeches and Jodhpurs
  250. Plain Double-Breasted Costume Layout
  251. Layout of a Double-Breasted Costume with a Knife-pleated Skirt
  252. Layout of a Double-Breasted Costume with an Inverted Pleat Panel Skirt
  253. Layout for a Sidebody Costume with a Plain Skirt
  254. Layout for a Sidebody Costume with an Inverted Pleat Back and Front
  255. Layout for a Sidebody Jacket with a Panel Knife-pleated Skirt
  256. Layout for a Panelled Costume with a Plain or Panelled Skirt
  257. Layout for a Double-Breasted Costume with a Six-gored Skirt
  258. Double-Breasted Panelled Jacket and Skirt Layout
  259. Double-Breasted Long Coat Layout
  260. Double-Breasted Sidebody Long Coat Layout
  261. Double-Breasted Panelled Long Coat Layout
  262. Three-piece Sleeve Raglan Layout
  263. Two-piece Sleeve Raglan Layout
  264. Two-piece Sleeve Deep-scye Raglan Layout
  265. One-piece Sleeve Raglan Layout
  266. Trousers Layout
  267. Plus-fours Layout
  268. Riding Breeches Layout
  269. Jodhpurs Layout
  270. Shorts Layout
  271. Plain Skirt Layout
  272. Panelled Skirt Layout
  273. Layout for a Panel Skirt without a Sideseam
  274. Knife-pleated Skirt Layout
  275. Knife-pleated Panelled Skirt Layout
  276. Layout for a Panel Skirt without a Sideseam
  277. Layout for a Panel Skirt with Inverted Pleats
  278. Layout for a Panel-fronted Skirt with Inverted Pleats
  279. Gored Skirt Layout
  280. Cutting the Linings
  281. Cutting the Forepart Lining and the Facing
  282. Marking Up the Inlays
  283. Cutting the Canvases
  284. Pocket Facings and Pockets
  285. Inserting the Pockets
  286. Inserting the Pockets
  287. Basting the Canvas to the Fronts
  288. The Pocket Completed
  289. Welt Pocket Making
  290. Welt Pocket Making
  291. Welt Pocket Making
  292. Welt Pocket Making
  293. Welt Pocket Making
  294. Making the Back and Sewing the Panel Seams
  295. Making the Linings
  296. Back and Foreparts Ready for Joining
  297. Pad-stitching the Lapels
  298. Basting the Facing to the Fronts
  299. Turning Out the Foreparts
  300. Inside Basting of the Foreparts
  301. Back-part Linings Basted in Position
  302. Collar Cutting and Making
  303. Sleeve Making
  304. Inserting the Sleeve into the Scye
  305. The Cut-out Garment for Machine Making
  306. Cutting Out the Linings
  307. Cutting the Top and Under-collars
  308. Making the Pockets and Foreparts
  309. Lining the Coat
  310. Sleeve Making
  311. Sleeve Making
  312. Double-Breasted Collar Making
  313. Pleat Making in Skirts
  314. Making an Inverted-pleat Skirt
  315. Basting Down the Pleats
  316. Making the Plaquet
  317. Sewing the Petersham to the Waist
  318. The Hem Finish
  319. Trousers Making
  320. Joining the Waistband to the Tops
  321. Joining the Back Waistband
  322. Sewing the Sideseams
  323. The Bottom Finish for Trousers
  324. Breeches Making
  325. Making the Jeatted Pockets
  326. Completing the Pocket Making and Adding the Waistband
  327. Making the Back Waistband and Facing Back the Knee Opening
  328. Sewing the Sideseams Together
  329. Completion of the Breeches
  330. Making Pleats in Shorts
  331. Sprat's Head Stitch
  332. Crow's Foot Tacking Stitch
  333. Bar-tack
  334. Cross-stitching Hem Lines
  335. Pad-stitching Lapels
  336. Making French Seams
  337. Making the Lapped Seam
  338. Making a Bound Button-hole
  339. Bias Bindings
  340. The Button-hole Stitch
  341. Waist Suppression from Modelling
  342. Reconstructed Pattern from Modelling
  343. Modelled "Lounge" Outline
  344. Modelled Sidebody Jacket Outline
  345. Bias-cutting Draft
  346. Constructional Points for Jacket Patterns
  347. Sidebody Jacket Draft
  348. Block Front Jacket Style
  349. Sports Jacket Draft
  350. Forepart Pattern Manipulation
  351. Canvas Pattern Construction
  352. The Sleeve System
  353. Sleeve Cuff Finishes
  354. Block Patterns
  355. Skirt Basis Draft
  356. Manipulation of Skirt Block Pattern
  357. All-round Knife-pleated Skirt
  358. Grade of Jacket Back
  359. Grade of Forepart
  360. Sleeve Grade
  361. Child's Coat
  362. Basic Draft for Short Jacket
  363. Full Drape Jacket
  364. Draft based upon Chest Measurement
Style Illustration of Fig. 33
Style Illustration of Fig. 35
Style Illustration of Fig. 45
Style Illustration of Fig. 48
Style Illustration of Fig. 118
Style Illustration of Fig. 120
Style Illustration of Fig. 121
Style Illustration of Fig. 122
Style Illustration of Fig. 123
Style Illustration of Fig. 131
Style Illustration of Fig. 135
Style Illustration of Fig. 139
Style Illustration of Fig. 141
Style Illustration of Figs. 145-149
Style Illustration of Fig. 153
Style Illustration of Fig. 155
Style Illustration of Fig. 157
Style Illustration of Fig. 161
Style Illustration of Figs. 182, 184, 185 and 189
Style Illustration of Fig. 190
Style Illustration of Fig. 192
Style Illustration of Fig. 195
Style Illustration of Figs. 216, 217 and 224
Style Illustration of Fig. 233
Style Illustration of Fig. 234
Style Illustration of Fig. 235
Style Illustration of Fig. 236
Style Illustration of Fig. 237
Style Illustration of Fig. 350

Plates

Style Illustration of Fig. 185
Style Illustration of Fig. 200
Style Illustration of Fig. 203
Modelling the Toile to the Back Modelling the Toile to the Fronts
Modelling the Back without Panel-seam Waist Suppression Modelling the Fronts without Panel-seam Waist Suppression
Style Illustration of Fig. 346
Style Illustration of Fig. 347
Style Illustration of Fig. 348

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